Get lost in the intriguing beauty this necklace posses! Crafted in oxidized sterling silver, this necklace features one oval flat cut 18 x 25mm blue green Roman glass in prong settings. You'll also find a small flower and coilwork leading up to the glass. The necklace measures 18"L x 15/16"W with a 2"L extender.
Complete the look with the matching ring 126-749.
Please keep away from water.
Part of the Passage to Israel™ Collection. Made in Israel.
Sterling silver, also called fine silver, is a beautifully lustrous cool-toned precious metal favored in fine jewelry among other products. The most reflective of all metals (excluding mercury), sterling silver looks stunning by itself and brings out the best hues in an array of colorful gemstones.
Sterling silver can be polished to a higher sheen than platinum. In fact, Ag, the chemical symbol for silver, comes from a word that means “white and shining.” The surface of silver can boast that shiny, polished appearance, or can be brushed, satin, matte, sandblasted, antiqued or oxidized (chemically blackened).
In order to be called sterling silver, a metal must be made up of a minimum of 92.5% pure silver and 7.5% alloy (meaning other metals), including but not limited to copper and nickel. The alloy is added to pure silver to make the metal more durable, tougher and harder. Sterling silver is designated a fineness of “925.” Pieces with sterling silver may be marked “sterling.”
Finishes on Sterling Silver
Finishing, or plating, is a common treatment with sterling silver. Popular types of plating are rhodium plating, gold plating and anti-tarnish plating. Plating is used to extend the life and sheen of the jewelry. After sizing or buffing a piece of jewelry with a machine, it must be re-plated to restore the finish.
Caring for Sterling Silver
Sterling silver becomes tarnished as the result of a natural chemical process that occurs when sterling silver is exposed to chemicals in the air, rubber, wool and latex. Humidity also plays a role in accelerating tarnishing. It's easy to keep your sterling silver sparkling, though, by taking a few steps to prevent tarnish and other wear and tear.
Necklace Clasp Types
A clasp is more than a practical device used to fasten your jewelry. It is part of the overall design and can be a very important focal point. Be sure to consider if it will suit your needs of durability, fashion, comfort and peace of mind.
Barrel Clasp: Used on most rope chains to make the chain more secure. The barrel clasp looks like part of the chain and twists to get a pendant on and off.
Lobster Claw Clasp: As a traditional clasp style found in bracelets and necklaces, the lobster claw is generally reserved for heavier styles that may need added strength. The closure's shape is more oblong, similar to a teardrop shape, and is controlled by a tip that opens and closes the spring in the clasp. This type is also considered a more expensive finding that can add to the overall value of the jewelry piece.
Magnetic Clasp: The popularity of the magnetic clasp has greatly increased in recent years. It is a quick and easy way to secure jewelry while not having to fuss with a tiny clasp, which can be difficult if you have long fingernails, arthritic hands or other mobility challenges. A magnetic clasp relies on a strong internal magnet that works to pull both ends of the clasp together. In most cases, a magnetic clasp is used for light to medium weight jewelry pieces that do not put excessive stress on the magnet.
S-Clasp: An S-shaped piece of metal that connects a chain by hooking metal rings on each end of the S-shape.
Slide Insert Clasp: This type of clasp is exactly as it sounds. With a box-like shape that is hollow on the inside, the wearer will slide the nearly-flat tab into the box until it clicks, indicating a secure closure. On some jewelry, a slide insert clasp will be accompanied by a side safety catch, which adds strength and security to the clasp. Although this type of clasp is found on both bracelets and necklaces, it is particularly popular on bracelet styles. These types of clasps are often reserved for more expensive jewelry.
Spring Ring Clasp: One of the most common closure types, the spring ring clasp is typically used for light to medium weight bracelets or necklaces. It is round in its design and features a small tip which controls the opening and closing of the spring. The circle then closes around another smaller loop or link at the other end of the strand.
Toggle Clasp: A toggle clasp is a narrow piece of metal, usually designed in the shape of a bar, which is then pushed through a circular ring to act as a fastener. Unlike the lobster claw or spring ring clasps, a toggle clasp is not controlled by a spring. The pretty design is less secure than other closure types, but is usually meant to be a big part of the design and is meant to "show". The clasp is an attractive way to secure a chunkier link bracelet or necklace.
The length of a necklace or chain you buy depends upon a number of factors, including what you will be wearing with it and your neck size.
To measure your neck, wrap a soft, flexible tape measure around the base of your neck. This is the same measurement used for collar sizes in men's shirts. A good rule of thumb is to buy a necklace or chain a minimum of two sizes up from your neck measurement. Thus, a man with a 17" neck would want to skip the 18" size and get a 20" size to ensure a comfortable fit.
Appropriate women's necklace lengths are more dependent upon the style than neck measurement. Knowing your basic neck measurement, though, will help you decide what length will work best with your outfit and create the look you are after.
Murano glass gets its name from the location in which it is made: The island of Murano off the shore of Venice, Italy. The glass has been produced there for centuries, as Murano was a commercial port as far back as the 7th century and a well-known city of trade by the 10th century. Today, Murano remains a destination for tourists and art and jewelry lovers.
It is believed that Murano glass actually originated in Rome in the 9th century. But artists were influenced by the Asian and Muslim cultures that were exposed at the major trading port in Venice. They decided to create the glass in the Venetian Republic for convenience, which was the first main location for the glassmaking before a devastating fire ruined most of the city's wood buildings. This event caused the glassmakers to move to the island of Murano in 1291. To this day, the names for Venetian and Murano glass are used nearly interchangeably.
The glassmakers of Murano were soon the most prominent citizens on the island. Around the 14th century, the talented artisans were allowed to wear swords, enjoyed immunity from prosecution, and married their daughters into wealthy families. Their success did not come without a price, however. Glassmakers were not allowed to leave the Republic, causing a feeling of unrest. Some craftsmen rebelled and set up business as far away as England and the Netherlands. Despite this, most workers did stay on the island and by the end of the 16th century, 3,000 of Murano's 7,000 people were involved in the glassmaking industry in some way.
Today, Murano artisans are still employing the same age-old techniques, crafting everything from contemporary art and jewelry to chandeliers and wine stoppers. Murano held a monopoly on quality glassmaking for centuries, creating and refining many technologies including crystalline glass, enameled glass, glass with threads of gold, multicolored glass, milk glass, and imitation gemstones made of glass. If you visit Murano, the island is now home to the Museo Vetrario, or Glass Museum, in the Palazzo Giustinian. It displays the history of glassmaking, as well as glass samples ranging from Egyptian times through present day.
Techniques & Materials
Most Murano glass art is made using the lampworking technique. The glass includes silica which becomes liquid at high temperatures. As the glass passes from a liquid to a solid state, there is a moment when it is slightly soft before it hardens completely. This is when the craftsman can shape the material. The more sodium oxide present in the glass, the slower it solidifies, which is important for hand-working since it allows for more time to shape the material.
The colors, techniques and materials glassmakers may use depend upon the look the artist is trying to achieve. The Millefiori technique involves layering sliced canes of glass, or forming tiny glass beads by cutting the canes into sections when cold then rounding when hot. Sommerso, filigree, incalmo, enamel painting, engraving, gold engraving, lattimo, ribbed glass and submersion are just a few of the other techniques a glassmaker can apply.